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【快乐分享027】一张专辑: Breezin' Benson, George Music CD - 2001

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Breezin'

Benson, George

Music CD - 2001


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Authors:Benson, George, 1943-

Title:Breezin'
[sound recording]

Publisher:Los Angeles, CA. : Warner Bros. Records/Rhino, p2001.

Characteristics:1 sound disc : digital ; 4 3/4 in.

Notes:Tracks 1-6 originally released as Warner Brothers BS 2919 in 1976; tracks 7-9 previously unreleased.
Notes by A. Scott Galloway laid in container.

Contents:Breezin'
This masquerade
Six to four
Affirmation
So this is love?
Lady.
Bonus tracks : Down here on the ground
Shark bite
- This masquerade (single edit)

Alternative Title:Breezing [sound recording]

Branch Call Number:CDP B474br 2001
Z

Statement of Responsibility:George Benson

Credits:Original recordings produced by Tommy LiPuma; produced for reissue by David McLees and Patrick Milligan.

Performers:George Benson, lead guitar and vocals; with Phil Upchurch, guitar, bass (track 1, 3); Ronnie Foster, electric piano, Minimoog; Jorge Dalto, clavinet, acoustic piano, electric piano (track 4); Stanley Banks, bass; Harvey Mason, drums; Ralph McDonald, percussion; with additional musicians.

Event:Recorded & mixed at Capitol Studios, Hollywood, on January 6-8, 1976.

Subject Headings:Jazz vocals. Jazz 1971-1980. Guitar music (Jazz)

Topical Term:Jazz vocals.
Jazz
Guitar music (Jazz)

LCCN:46368422

Publisher No:R276713 Warner Bros. Records/Rhino

All of a sudden, George Benson became a pop superstar with this album, thanks to its least representative track. Most of Breezin' is a softer-focused variation of Benson's R&B/jazz-flavored CTI work, his guitar as assured and fluid as ever with Claus Ogerman providing the suave orchestral backdrops and his crack then-working band (including Ronnie Foster on keyboards and sparkplug Phil Upchurch on rhythm guitar) pumping up the funk element. Yet it is the sole vocal track (his first in many years), Leon Russell's "This Masquerade" -- where George unveiled his new trademark, scatting along with a single-string guitar solo -- that reached number ten on the pop singles chart and drove the album all the way to number one on the pop (!) LP chart. The attractive title track also became a minor hit single, although Gabor Szabo's 1971 recording with composer Bobby Womack is even more fetching. In the greater scheme of Benson's career, Breezin' is really not so much a breakthrough as it is a transition album; the guitar is still the core of his identity. ~ Richard S. Ginell


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